My new novel Darker Times arose out of an idea I had a decade ago, an idea which eventually merged with another idea to become something very different, yet something that, in essence, was still the same idea I came up with ten years ago.
Bemoaning all the ideas we come up with but never get around to using is something a lot of writers, myself included, talk about, Iāve even seen some consider getting rid of old notebooks of ideas as they imagine theyāre never going to use them, but I think Darker Times shows why this is never a good idea. Even fragments of ideas āyouāre never going to useā might find a home within a totally new story, a character youād envisaged for a space opera set in the 25th Century might, with a bit of tinkering, make for an interesting 18th Century pirate (or vice versa).
Darker Times went from being a haunted house story to a post-apocalyptic melodrama, and yet in so many ways itās still the damn same story!
Letās start at the very beginning. The year was 2006 and I was on holiday with friends in Egypt. Along with two others Iād plumped for a hike up Mount Sinai, where Moses supposedly collected his stone tablets from God, to witness the sunrise. It was an amazing, if exceptionally tiring, experience, but before I climbed down the mountain, before I saw the sunrise, before I even climbed up the mountain, I came up with an idea.
We were picked up by a coach late at night and advised to try and get some sleep on the drive out to the mountains (because there sure as heck wouldnāt be time for sleep later). I canāt recall if I actually slept or not, I probably dozed at least in the darkened coach, but what I did do was daydream, and that daydream quickly evolved into a story idea that, by the time we reached our destination, had become fully formed, complete with initial sketches of the main characters.

me atop the mountain with a head full of ideas!
The original story, if Iād written it (I started chapter one), would have been called Ten Photos of Coffin House, and would be a contemporary ghost story set in a small cottage near the tiny village of Blodwel Nave. Four people would visit the cottage for a holiday, but by the end of their stay three would be dead or missing and one would be so severally traumatised that they wouldnāt be able to tell what had happened, and so the only evidence of what had occurred would be ten photos taken on a disposable camera that was found at the scene.
The idea of the book was that an academic (or possibly some pulpish writer of mysteries) would contrive to fill in the blanks based on the photos, and myths and legends relating to the cottage.
Iām not sure it was an idea that could ever really work. The photo conceit seemed like a good idea at the time but I canāt see how it could have worked, outside of getting models to pose for ten photos that could be used as chapter headings. Similarly I might not have been a good enough writer at the time to make it work because the whole point was going to be that maybe there was a supernatural element involved, or maybe it was just that one of the groups went doolally. Nuance isnāt one of my strengths.
But what the initial idea did give me was four characters, most of whom had secrets, and in some instances actively loathed one another, trapped in a confined space.
Like I say, I worked on chapter one and then tossed the idea to one side.
Flash forward a couple of years and the sadly now defunct American indie publisher Pill Hill Press issued a submission call for post-apocalyptic stories to be published in an anthology inspired by the supposed Mayan prophesy that the world would end in 2012. Given Iāve always had a thing for post-apocalyptic stories (āyou donāt sayā groaned everyone who knows me) I decided to submit a story. I wanted to come up with something slightly different from the more usual nuclear war/zombie apocalypse/pandemic/asteroid strike/alien invasion kinda thing. In the end I canāt remember quite where the notion originated from, but I decided to go with a future world where, for some unspecified reason, it had got suddenly dark one day and stayed dark.
The story that arose was Stranger Times, featuring a mysterious stranger named, er, Stranger, who encounters a community of survivors on the Californian shore. Itās always been a favourite story of mine and I did like the universe, even so it wasnāt something I expected to return toāalthough as with many stories there was a recurring fantasy that it would be noticed by someone big in publishing whoād commission me to write a whole slew of Stranger novels and pay me millions for the privilege. Iām still dreaming obviouslyā but then a few years ago another Indie publisher, Fox Spirit, issued a submissions call for their Girl at the End of the World anthologies, and I duly obliged, writing Savage Times, which can be found in Girl at the End of the World volume 2. Savage Times featured a teenage girl surviving in darkened Nottingham.
For another open submission I then wrote Darker Silence (originally titled Silent Times before I decided Iād give all works in this universe the Darker prefix). Darker Silence follows the adventures of a deaf young man in France, and is currently unpublished. This year Iāve also written Darker Sins, a story set in Vegas at the start of the darkness, itās also unpublished at the moment butā¦Iām getting ahead of myself.
After writing Savage Times and Darker Silence I decided I really ought to write a Darker novel. I considered several ideas before deciding that maybe it would be good to focus on how a small group of people dealt with the sudden darkness and impending collapse of civilisation.
Now if only I had a cast of characters and a remote location I could useā¦
Slightly embarrassing to admit that the lightbulb above my head didnāt immediately flare into life, but oh when it did! Suddenly everything slotted together as smoothly as it itād been planned all along. I had four characters I knew inside out, they had secrets and animosities that would make being stuck in a confined space bad enough, even before you landed an apocalypse on top of this. If anything the darkness worked better as an antagonist than potential ghosts would have.
Of course some other things changed. Coffin House would have been an old property (all the better for ghosties and ghoulies) whereas the cottage in Darker Times became a much newer, prefabricated construction. The eventual fates of each character changed as well, so donāt take the above comment about three of them dying/disappearing and one going nuts as any kind of spoiler, that isnāt how Darker Times ends!

Inexplicable Dolly pic!
But in so many ways if you strip away the veneer of Darker Times, thereās still a whole lot of Ten Photos of Coffin House underneath. So, the moral is, hoard your ideas, you never can tell when you might end up stitching a few rags of ideas together to make something stylish, just like Dolly Parton and her coat of many colours.