Fleabag: The Scriptures

Posted: February 4, 2020 in Book reviews

9780593158272By Phoebe Waller-Bridge

Fleabag is a young woman with a wit as dry as the desert and a distinct lack of filter. She’s angry and grief ridden and she’s happy to lash out at anyone. She has a struggling business, and a best friend who committed suicide. She has a fractious relationship with her sister, Claire…and her brother in law, Martin, and with her father, and with her Godmother, and in fact with most people she meets. She has a voracious appetite for sex and a habit of breaking the fourth wall and talking to us as if we were her conscience, oh and she’s about to meet the man of her dreams, so what if he’s a celibate priest…


There’s a light effortless to Waller-Bridge’s writing that tells you she’s agonised over every word, written and rewritten every line of dialogue over and over again until it was just right. And there’s an economy of language that says she isn’t afraid to kill her darlings and cut every ounce of fat she can to leave a lean, and often incredibly mean, fillet behind.

Basically she makes it look easy, which likely means it was incredibly hard. Whatever you may think of her, the woman is damn talented.

When I watched the first season the show was an indie hit, by the time of the second season Fleabag had gone mainstream and the hype had gone into orbit. Did it deserve it? Well I’m biased but all I can say is, yes, yes it did.

There’s a palpable anger behind Fleabag, and also a profound, aching loneliness. Cursed by an inability  to not speak her mind she lashes out at everyone, and sometimes they deserve it. Her dithering father, her uptight sister, her supercilious godmother, her sleezy brother in law all do her wrong, yet she often does them wrong as well, and it’s testament to Waller-Bridge’s economy of words that she can tell us so much with so little, and as an aspiring script writer—ok, someone who’s considering trying his hand at it—there is much to learn about how brevity isn’t necessarily a bad thing.

Not only do you get the scripts, you also get a few potted biographies of some of the people who brought Fleabag to life, written by Waller-Bridge, as well as some of the history behind the show, and a piece of music that was composed for the second season by her sister. Oh and did I mention it looks gorgeous?

A treat for fans, or anyone interested in good scriptwriting. Just watch out for the fox…



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